Anti-Soviet agitation and propaganda
IV Soviet occupation

The museum exhibits the history of Latvia from 1940 to 1991, under the occupation of Nazi Germany and the Soviet Union. ‘House of the Future’ is a reconstruction and expansion project of the Occupation Museum designed by the well-known American Latvian architect Gunārs Birkerts as well as the new exhibit of the museum. The exhibit ‘History of Cheka in Latvia’ was created by the Occupation Museum and it is located in the ‘Corner House’, which is the former USSR State Security Committee (KGB) building. Latvian Occupation Museum was founded in 1993. It tells the long-hidden story of the fate of the Latvian state, nation and land under the occupation of two foreign totalitarian powers from 1940 to 1991. At the end of 2020 the museum had more than 70,000 different historical items (documents, photographs, written, oral and material evidence, objects and memorabilia). Museum specialists have recorded more than 2,400 video testimonials, making it one of the largest collections on occupation in Europe. The events that unfolded in Latvia, Lithuania and Estonia clearly show us what the nations had to endure under the two totalitarian regimes.

The former USSR State Security Committee (commonly known as Cheka) building is open for visitors. Here chekists imprisoned, interrogated and murdered Latvian citizens who were considered opponents by the occupation regime. There is also an exhibit from the Latvian Occupation Museum on the activities of Cheka in Latvia. Guided tours of the prison cells, corridors, basement and courtyard are available. The house was built in 1911 and it is one of the most beautiful buildings in Riga. Called the ‘Corner House’ by the people, it was the scariest symbol of the Soviet occupation regime in Latvia, and also one of the pillars of power of the USSR. Cheka operated from the Corner House during the occupation from 1940 to 1941 and then again from 1945 to 1991. Tens of thousands of Latvians were affected by direct political persecution. The fight against enemies of Soviet rule continued also after World War II. Cheka’s approach towards its operation slightly changed after Stalin’s death. Physical torture was replaced by psychological terror. The majority of Cheka agents were Latvians (52%). Russians were the second largest group – 23.7%. 60.3% of the agents were not members of the Communist Party. 26.9% of the agents had higher education. The system was designed in a way to involve local people and thus have greater control over the society. Staff documents and service records are located in Russia. And these materials have not been made available to Latvian authorities and researchers.

The historical exhibit ‘Fire of Conscience’ is located in Cēsis, near the Cēsis Castle Square. Established in a Soviet-era temporary detention facility, it tells about the occupation of Latvia and reveals surprising and heroic stories of resistance from individuals. The yard features a memorial wall with the names of 643 residents of the former Cēsis district who died in Soviet repressions, including national partisans deported in 1941 and 1949 and those shot and sentenced to death. The exhibit’s timeline encourages visitors to study the course of the occupation of Latvia from 1939 to 1957. Arranged by topics, quotes from local newspapers offer a comparison of the political propaganda of the two occupation regimes. The six cells for temporary detention have survived to the present day in their original form from 1940 to 1941 and the post-war years. Here, the residents of Cēsis district, detained for various anti-Soviet activities, including national partisans, their supporters, young people who distributed anti-Soviet leaflets and other ‘traitors of the motherland’, were held for several days during the initial investigation and interrogation before being sent to the main KGB Building in Riga. Everything here is real: cells with iron doors, built-in ‘kormushkas’ (small openings for providing food), plank beds, a latrine for detainees, a small kitchen with an oven, as well as typical Soviet-era oil paint on the walls. In 2019, the exhibit was ranked third in the national design competition, the Latvian Design of the Year Award.